Navy Vs The Night Monsters 1966 Download UPDATED
Navy Vs The Night Monsters 1966 Download
| The Navy vs. the Night Monsters | |
|---|---|
 Theatrical release poster | |
| Directed by | Michael A. Hoey Jon Hall (uncredited) |
| Written past | Michael A. Hoey |
| Based on | The Monster from Earth's Stop (novel) by Murray Leinster |
| Produced past | Jack Broder Roger Corman (uncredited) |
| Starring | Mamie Van Doren Anthony Eisley |
| Cinematography | Stanley Cortez |
| Edited by | George White |
| Music past | Gordon Zahler |
| Production | Standard Guild of California Productions |
| Distributed by | Realart Pictures Inc. |
| Release engagement |
|
| Running time | 87 minutes |
| Country | The states |
| Language | English |
| Upkeep | $178,000 |
The Navy vs. the Night Monsters (a.thou.a. Monsters of the Night and The Night Crawlers ) is a 1966 independently made American science fiction-monster film drama produced past Jack Broder (and Roger Corman, uncredited), written and directed past Michael A. Hoey, that stars Mamie Van Doren, Anthony Eisley, Billy Grey, Bobby Van and Pamela Mason. The pic was distributed by Realart Pictures Inc.
Plot [edit]
The irksome, workaday life at the small American Navy atmospheric condition station based on Gow Isle in the South Pacific is interrupted by the pending arrival of a C-47 transport for refueling. Aboard the aircraft are a team of scientists, an Air Forcefulness flight crew, and a cargo of specimens from their completed trek to the Antarctic. On final approach, something moving in the cargo expanse unbalances the aircraft. The crewman sent to investigate returns, screaming, and he jumps to his death. At the naval base, the send'southward radio transmits sounds of screaming and shots fired, and the descending aeroplane suddenly weaves, veers, and crash lands on the island's single airstrip, destroying the control belfry and the isle'south simply two-way radio. The damaged aircraft also blocks the rails, preventing its further use.
Lieutenant Charles Brown (Eisley) is in command of Gow's weather station. He, Navy nurse Nora Hall (Van Doren), and biologist Arthur Beecham (Walter Sande) reach the wreck simply to notice that the scientists and almost of the crew are now mysteriously missing. The but one aboard is the C-47'due south pilot, who is traumatized and in a land of shock, unable to speak. The cargo consists primarily of a few penguins, plus several prehistoric trees taken from the frozen tundra.
Unloading the cargo, Dr. Beecham recommends planting the copse to ensure their survival in the island's tropical weather condition. That night, a tropical storm ravages the island. Somewhat later, Gow Island's bird population becomes disturbed past something unknown. The atmospheric condition station's scientists attempt to effigy out a connectedness between this event and a corrosive residuum that begins turning up at various isle locations.
Information technology slowly becomes clear that the planted prehistoric trees have grown into acrid-secreting, carnivorous monsters that motion about Gow Island at nighttime, at will. They reproduce fast and eventually cut off the island with their growing numbers and nocturnal assaults for food. Brown has to hold together his dwindling Navy personnel and the coterie of scientists and civilians while figuring out a way to terminate this prehistoric menace. The Navy personnel's only bachelor weapons evidence largely ineffective against the tree monsters. When civilian meteorologist, Spaulding (Edward Faulkner) uses Molotov cocktails, burn down proves to be the ane thing that will destroy them.
The weather station is able to eventually restore radio contact with the mainland to ask for help. In response, the military command sends in multiple aircraft strikes from their nearest base of operations. Fighter jets drib both napalm and burn air-to-ground missiles at the tedious-moving night monsters, setting them ablaze. Every bit a effect, the threat to Gow Isle's surviving personnel is apace eliminated, and Chocolate-brown and Nora are free to pursue a romance which developed in the course of fighting the menace.
Cast [edit]
- Anthony Eisley equally Navy Lt. Charles "Charlie" Chocolate-brown
- Mamie Van Doren equally Nurse Nora Hall
- Edward Faulkner as Robert Spaulding
- Walter Sande as Dr. Arthur Beecham
- Bobby Van as Ensign Rutherford Chandler
- Baton Gray equally CPO Fred Twining
- Kaye Elhardt as Diane
- Pamela Mason equally Marie
- Russ Bough as C.Due west.O. McBride
- Taggart Casey as W.O. Hollister
- Biff Elliott as Cdr. Arthur Simpson
- Phillip Terry every bit Base Doctor
- David Brandon
- Mike Sargent
- William Meigs
- Del Due west equally Airplane Baby-sit / Fireman
- Garrett Myles
- Paul Rhone
- Charles Kramer as Corpse
- Red West as Navy Firefighter
Production [edit]
The Navy vs. the Night Monsters was based on the 1959 science fiction novel The Monster from Earth'due south Terminate by Murray Leinster. Hoey read Leinster's novel and idea it could make a good science fiction film along the lines of The Affair From Another World (1951). He optioned it and wrote a screenplay, originally titled The Nightcrawlers. Producer George Edwards read it and agreed to finance the film; because of the limited amount of money available, Hoey was hired to direct. He later stated that he was paid $ten,000 for the script and his services, $4,000 of which went to Leinster for the film rights, $two,000 to the Directors Gild of America and another $1,000 to his agent, netting him just $iii,000 for his efforts.[1] The total budget for the B-movie was $178,000.[1]
Corman provided some uncredited assistance to executive producer Broder. Hoey said that during rehearsal, Broder announced the film'due south new title would be The Navy vs. The Night Monsters. "The entire cast was ready to walk out", claimed Hoey. "They were furious that he would give it that title".[1]
Broder wanted to make the film dorsum-to-back with some other picture show, Women of the Prehistoric Planet, using the same coiffure and Edwards equally line producer on both. Hoey thought highly of Edwards, claiming "he was actually a artistic producer ... a practiced producer who tried to keep things away from you while you were on the set; proceed the picture moving forrad smoothly; keep oil on the waters. And at the same time make artistic decisions that made sense, which was the antithesis of what Jack Broder did. Shooting took ten days".[one]
Casting [edit]
The cast included Grey (of The Day the Earth Stood Even so and the TV series Father Knows Best), who Hoey said "had sort of been having a tough fourth dimension; he straightened his deed out but was notwithstanding having trouble getting back. So they made an offering and he accepted".[i] Hoey was hoping to become a bigger name than Eisley (who was not the first choice) for the atomic number 82, just the manager was happy with his performance.
Van Doren was cast because she had a commitment to make a movie with Corman. Her casting resulted in Hoey turning her character into a civilian. He said, "So I put her in a tight sweater and a pair of slacks about fifty percent of the time".[1]
The cast also featured ii members of Elvis Presley's Memphis Mafia, Sonny West and Red W, besides every bit Mason. Referring to the latter, Hoey said, "She obviously felt that it was beneath her, just she was a pro and she did what I asked her to".[ane]).
Special furnishings [edit]
Hoey enjoyed working with Stanley Cortez but was non happy with the applied effects used to create the moving tree monsters:
Jack Broder wouldn't hire the guy that we originally had meetings with, a guy who could accept washed a marvelous job...I wanted the [monster] copse to look like the other trees, so that there wouldn't be the feeling that they stood out like sore thumbs, which is what those stupid things did. Broder hired some guy who did them for $1.98. When they showed upward on the set the first day, I refused to moving-picture show them, I was and so upset. A lot of what happened at the back end of the movie, like the little stumps walking effectually in the sand, was stuff that Jon Hall shot. I had nada to do with information technology...Yeah, the famous Jon Hall from The Hurricane [1937]. In afterward years he had a product company, and apparently he made a deal with Broder and went out and shot more stuff. The just tree that I worked with was the one that had the guy in it manipulating the limbs, which is the one that has the fight with the [C-47] airplane pilot. We shot it in pretty low-key lite, to try to hide every bit much of it as we possibly could.[1]
Postal service-production reshoots [edit]
Broder had requested a 90-minute film so he could sell it to television, and Hoey'south original cut came in at 78 minutes. When Hoey left the movie, Broder hired Arthur Pierce, manager of Women of the Prehistoric Planet, to shoot additional scenes. Hoey later claimed these scenes would "change the whole premise" of the movie, proverb, "He added all those scenes of those Navy officers in that base of operations on the mainland. It completely ruined the premise of what I had in mind".[1]
Eisley agreed with Hoey:
The producer totally recut the picture later it was made and totally destroyed any validity information technology might take had. That picture show ... would have been a very good picayune thriller. First of all, you never saw those trees in explicit item; you had a sense of mystery about what was killing these people on this island. As originally shot, the island radio tower was destroyed past a plane crash and at that place was no contact between the island and the outside world. I, as executive officer of the armed forces Army base of operations, was not prepared to presume command, and I had nobody I could turn to. And so we played it at a level of fright and panic that wouldn't be if we could contact some base on the exterior. Then, months after the picture was shut downward, the producer put in this stupid stock footage of bombers blowing upward the island at the end and shot these monotonous talking scenes of generals on the telephone that were non at all germane to the original story. Equally a consequence, in the final cutting, nosotros actors are playing at a level that the situation didn't call for at all! That was very, very upsetting.[2]
Reception [edit]
Film historian and critic Leonard Maltin noted his opinion on the film with a list: "ane) Wait at the title. two) Examine the cast. iii) Be aware that the plot involves omnivorous trees. 4) Don't say you weren't warned".[3] On his website Fantastic Movie Musings and Ramblings, Dave Sindelar criticized the movie's poor acting, direction and script, and concluded that it "works best as inconsequential timekiller".[iv] Television receiver Guide awarded the motion-picture show 2 out of 4 stars, calling it "one of those films that is so bad yous go to see it for the laughs instead of the chills".[5] In film historian Tom Weaver's interview with Hoey, Weaver contended that The Navy vs. the Nighttime Monsters afterwards became a "cult favorite".[one]
References [edit]
Notes [edit]
- ^ a b c d east f g h i j "The Flora, The Flora." bmonster.com. Retrieved: January 12, 2015.
- ^ Weaver 2006 p. 133.
- ^ Maltin 2009, p. 969.
- ^ Sindelar, Dave. "The Navy vs. the Night Monsters (1966)". FantasticMovieMusings.com. Dave Sindelar. Retrieved 23 May 2018.
- ^ "The Navy Vs. The Dark Monsters - Movie Reviews and Moving-picture show Ratings". Boob tube Guide.com. Television receiver Guide. Retrieved 23 May 2018.
Bibliography [edit]
- Maltin, Leonard. Leonard Maltin's Movie Guide 2009. New York: New American Library, 2009 (originally published as TV Movies, and so Leonard Maltin'south Movie & Video Guide), Start edition 1969, published annually since 1988. ISBN 978-0-451-22468-2.
- Pym, John, ed. "The Wraith." Time Out Film Guide. London: Time Out Guides Express, 2004. ISBN 978-0-14101-354-1.
- Strick, Philip. Science Fiction Movies. London: Octopus Books Express, 1976. ISBN 0-7064-0470-X.
- Weaver, Tom. Interviews with B Science Fiction and Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls and Makeup. Jefferson, North Carolina: McFarland & Company, 2006. ISBN 978-0-78642-858-8.
External links [edit]
- The Navy vs. the Night Monsters at IMDb
- The Navy vs. the Night Monsters at AllMovie
- The Navy vs the Night Monsters at TCMDB
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